WORKS

[manifesto

]

I play upon
the 1s and 0s
and call on
lyrical ghosts
from the
digital archive.

I abstract the unmuted dance of the black-box;
sonic drones
and secret transmissions.

I resonate
within the arc
of recursive feedback 
hovering in the liminal places, between
"write" and "make."

I believe in
the apophenia of error,
the compound eye,
and the logic
of the holy fragment.

I embrace the
ecstatic collision.

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 MUSICA

 I FIRST SHOT VIDEO AT THE 9:30 CLUB.  


VISIBILITY WAS LIMITED AT THE original LOCATION; LAYOUT WAS A LABYRINTH. 


THIS LIMITATION was addressed VIA CLOSED CIRCUIT TV SYSTEM AND A DOZEN CATHODE RAY TVS mounted THROUGHOUT THE VENUE. 


I shot FROM A CAR SEAT WELDED TO A SUPPORT BEAM SEAT 10 FEET ABOVE center STAGE,

I filmed THE ROOTS, JEFF BUCKLEY, TRICKY, THE SWANS, STEREOLAB, DEBBIE HARRY. 


I LEARNED HOW TO EXPLOIT THE CONSTRAINTS OF LIMITED visibility

TO DRAW OUT DETAILS OF each PERFORMANCE.


LIVE-FEED TV CAPTURED BECAME THE BASIS OF MY PRACTICE.

I constantly think in audio concepts in my work;  

IT's magic to me—-that at a certain point radical changes take place

when a threshold is set and it completely transforms

the signal passing through it..

​with IMAGES, I work with a similar LIMINALITY

between abstraction and mimesis.